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Home tour: Spanish Revival meets flea-market mania

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Laguna2
Our latest home profile:
When remaking their Laguna Beach house, Mark and Cindy Evans wanted to emulate the calm of the California missions they loved while celebrating their favorite pastime: shopping flea markets.

Laguna6 Nearly everything in their 1929 Spanish Revival home overlooking Laguna's Main Beach is courtesy of their excursions during the past 25 years. Monterey-style furniture mixes with San Jose and Tlaquepaque pottery, Mexican yard art and their favorite Laguna Beach plein-air paintings from the 1920s, '30s and '40s. Asked if anything in the house is not from a flea market, Cindy jokes, "the bed and the coffee maker."

To see more, check out our 21-photo gallery.

You also can find the story in the Home section of the L.A. Times print edition Saturday.

-- Lisa Boone

Photo credits: Gina Ferazzi / Los Angeles Times

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Homes of the Times: More than 100 California homes in pictures

 


Lucinda Childs among choreographers for OCPAC-Bolshoi partnership

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Olga MalinovskayaLucinda Childs wants less from her dancers. Commissioned to create a 10-minute solo to composer John Adams’ “Book of Harmony” for “Reflections,” opening Jan. 20 at the Orange County Performing Arts Center, the choreographer is working with top-caliber ballet technicians Anastasia Stashkevich of the Bolshoi Ballet and Olga Malinovskaya of the Estonian National Ballet.

She’s been teaching the gloriously hyper-trained Russian ballerinas to walk, skip, run and luxuriate in time and space, American-style.

That’s the point of impresario Sergei Danilian’s new co-production with OCPAC and the Bolshoi Theater of Russia, a gender-swapped version of his prior “Kings of the Dance.” “Reflections” introduces seven prima ballerinas, all hothouse products of Russian training, and matches them with eight top, hip Western choreographers -- plus Balanchine.

Childs’ bare-boned repetitive steps, accruing power en route, riveted the gang of Russians, including the ballerinas and four men, rehearsing in Costa Mesa last August. Scattered around the dance studio warming up with torturous stretches, they practically gawked, seemingly fascinated that this simple patterned stuff could be performance material. 

Anastasia Stashkevich Childs, steely, remained unfazed: “They [her two dancers] were so open and adapted so quickly. I have 10 days, and I have a very ambitious project set to Adams, which is complicated music.”

Neither dancer speaks English: “The communication was the actual physical working together. There was not much verbal communication. They were very smart, and the music demands are rather extra.”

The acclaimed post-modernist, 70, who first popped onto the New York scene in 1964 and has since choreographed in Europe for years, brings to “Reflections” her calling card, her many collaborations with Adams.  

Childs returns to California soon with some post-modern golden oldies. Her “DANCE” (1979), music by Philip Glass, film/décor by Sol LeWitt, appears on April 28 at Yerba Buena Center in San Francisco and tours to UC Davis May 3, UCLA Live May 6-7, and UCSB Arts, Santa Barbara, May 10.

Click here to read my article on the international mélange, “Reflections,” in Sunday’s Arts and Books section.

-- Debra Levine

“Reflections,” Orange County Performing Arts Center, Costa Mesa, 7:30 p.m. Jan 20–22 and 2 p.m. Jan. 23, $15-$126; (714) 556-2787 or www.OCPAC.org; the Bolshoi Theatre, Moscow, 7 p.m. Jan. 27–30; Feb. 20, 22, 23, www.bolshoi.ru.

Photo (top): Olga Malinovskaya in rehearsal at the Orange County Performing Arts Center. Credit: Doug Gifford

Photo (bottom): Anastasia Stashkevich rehearses at the center. Credit: Doug Gifford

Consumer Electronics Show: The gloves don't have to come off

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Touch screens put the power of technology literally at your fingertips. We've grown so accustomed to them that many of us go around tapping on screens simply expecting them to respond. This year's Consumer Electronics Show had no dearth of new tablets and smart phones sporting them.

They are a most amazing inclusion on so many of today's digital devices -- that is, until you have to use them in the cold. The lauding ends and cursing begins about when the temperature dips below 60 degrees and you have to remove your typing hand from the warmth of a glove or pocket. When you feel the chill in the air shift to a biting cold fusing with your exposed metacarpals, one inch of bone at a time. That's about when your tap-typing shifts from lightning fast to a tortured version of slow motion.

Well, glove maker Isotoner has a stylish solution in its smarTouch gloves. They work with any finger-sensitive touch screen -- tablets, smart phones, bank ATMs. The gloves retail for about $30 and can be found in most major department stores.

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Consumer Electronics Show: Pens that read

-- Michelle Maltais


Ticket pic of the week: They need Sully Down Under

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"Folks, this is your captain speaking. We'll be slightly delayed landing today at Rockhampton."

Australia has been stricken with heavy rains and flooding this spring, worst in the northeast. This photo is from Rockhampton in eastern Queensland.

-- Andrew Malcolm

Just click here to follow The Ticket via Twitter alerts of each new Ticket item. Our Facebook Like page is over here. We're also available on Kindle now. Use the ReTweet buttons below to share this item with family and friends.

Photo: Mecielsen Lyndon / AFP / Getty Images

Consumer Electronics Show: Chumby wants to be your pal

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Who wants to wait on a computer that has to boot up before they can get their gotta-have-it-now  information from the web? At the Consumer Electronics Show, Chumby was showing the latest incarnation of its namesake device.

The always-on Chumby 8 is larger than its predecessors, Chumby One and Chumby Classic, measuring 8 inches. This one comes with improved speakers. The Wi-Fi device still offers the popular alarm and event-scheduling features of the older versions, and users preprogram it to fetch and present information they are interested in.

And who doesn't want a friend like that?

RELATED:

Consumer Electronics Show: Pens that read

Consumer Electronics Show: Thermal imaging for the masses

 

— Michelle Maltais

 


Lakers break down 101-97 victory over New Orleans Hornets

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Lakers guard Kobe Bryant

Lakers Coach Phil Jackson

Lakers center Andrew Bynum

Lakers forward Lamar Odom

Lakers forward Pau Gasol

--Mark Medina

Twitter.com/latmedina

E-mail the Lakers blog at mgmedin@gmail.com

‘Trespass: A History of Uncommissioned Urban Art’ Features Work by Keith Haring, Spencer Tunick, Shepard Fairey and Banksy

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MinotaurWith all the controversy surrounding last month's Blu-Jeffrey Deitch mural imbroglio at the Museum of Contemporary Art's Geffen Contemporary and serious talk of British street's artist Banksy's chances of an Oscar nomination for his documentary "Exit Through the Gift Shop," some may be wondering just what all the fuss is about.

Taschen offers a crash course in the origins and players in the street art movement over the last four decades with "Trespass: A History of Uncommissioned Urban Art," ($39.99).

"Every picture included in the book is an unauthorized and uncommissioned work of art, " said Marc Schiller, co-curator and co-founder of the Wooster Collective (along with his wife Sara Schiller) in New York City. "It's an ephemeral art that sometimes lasts only 30 minutes with the artists on the run. The last thing they are thinking about is the documentation."

The works of 150 artists are featured including Keith Haring, Spencer Tunick, Shepard Fairey, Barry McGee and Banksy, who also wrote the introduction.

 Schiller and his wife, Sara, focused on the last 15 years, when street art took off, while editor Ethel Seno tracked down archival drawings and photographs, including one from 1517 of Martin Luther, posting the 95 Theses in Wittenberg, Germany - an early example of individual ideologues trespassing  on public space.

Joekrebs

 "Trespass" goes beyond street art and graffiti focusing also on protest, and performance art and sculpture. "These artists "want to humanize the city with their diversity and creativity, bring it to life by injecting authenticity," said Sara Schiller. "The cities are losing that element because of the proliferation of advertising and gentrification of neighborhoods."

 Some critics regard this type of art as purely criminal vandalism. Artist do run the risk of being arrested, but it's the adrenaline rush of getting away with it, having their name and art in public view, and the act of free speech that fuels their drive.

With location of utmost importance, many risk their lives to get their message out, such as Sane, Smith, who painted their names on the Brooklyn Bridge in 1988. One of the most daring outlaws was French aerialist, Philippe Petit, whom many consider the granddaddy of death-defying performance art. In the summer of 1974, without permission, Petit walked a tightrope between the under-construction World Trade Center towers, creating a worldwide sensation.

Trespass "Trespass" also reveals how street art has moved out of the city limits and gone domestic. Guerrilla gardening and guerrilla knitting are some of the least offensive graffiti art genres to appear on the scene in recent years. "Yarnbombing," or "graffiti knitting," aims to make street art warm and fuzzy. The one member, KnittaPlease, wrapped a colorful, knit cozy "tag" around the "Welcome to Manhattan" sign pole in 2006.

Guerrilla Gardening projects range from the more extensive beautifying of overgrown sidewalks to the  simplistic such as the Pansy Project in London. Tired of the anti-gay slurs being hurled his way in public, artist Paul Harfleet would return to the location of the incident and plant pansies. He would photograph the flower and post it on his website with the title of the offensive insult.

"Trespass: A History of Uncommissioned Urban Art," published in October, will also be available at MOCA's "Art in the Streets" exhibition in April.

 -Liesl Bradner

 Images: Top-Paolo Buggiani, Minotaur, Brooklyn Bridge, NYC, 1980. Courtesy Paolo Buggiani. Right-Joey Krebs the Phantom Street Artist, Los Angeles, California, 1993. Courtesy Anthony Friedkin.Bottom left-"Trespass" cover english edition. Gordon Matta-Clark, "Window Blow-out," New York City, 1976 courtesy the estate of Gordon Matta-Clark and David Zwirner Gallery, New York, Generali Foundation Collection, Wien ©2010 VG Bild-Kunst, Bonn

 

 

Tired of girly perfumes? Check out what guys are wearing

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PerfumeEveryone seems up for a change at the start of a new year. As I was cleaning out my closets a week or so ago (one New Year's resolution checked off the list), my eye turned to the array of perfume bottles on a shelf. The Chanel No. 5 -- classic but a little old-fashioned; the lemon-ginger body spray -- too teenybopper.

It occurred to me I really like the way my husband smells. His Tiffany for Men is subtle and citrusy with a rich woody essence of sandalwood. Perfect! One more thing for the two of us to share!

Women who are looking for something a little crisper, a little less flowery, should try shopping the men's toiletries aisle. There are some terrific finds there, and writer Janet Kinosian gives us the rundown on some favorite his-for-her scents in a piece she did for the Los Angeles Times' Image section: "10 men's fragrances that women love — for themselves."

Creed's Silver Mountain Water, Guerlain Vertiver, Eau d'Hadrien are among the temptations. I'll have to try them all. But until then -- dear, could you pass me the Tiffany?

-- Susan Denley

 Photo: Silver Mountain Water. Credit: Creed

 


Consumer Electronics Show: Karotz, a bunny to do your bidding

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The one thing "Despicable Me" really proved last year was that having minions can be fun. There were several robot and personal assistant devices being shown at the Consumer Electronics Show.

Among them was Karotz, a tall-eared eager-to-serve Wi-Fi device from Mindscape.It can fetch from Twitter and Facebook and can report the weather as well. You can listen to MP3s and make phone calls over the Internet through Karotz.

It will cost $179 and should be available in the spring.

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— Michelle Maltais


KUWAIT: U.S. confirms detention of American citizen who claims being beaten

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MohamedA U.S. official has confirmed that an American citizen of Somali origin who claims he was beaten by security agents in Kuwait while they were interrogating him about his travels in Yemen and Somalia is being held in detention in the American-backed Arabian Peninsula country.

State Department spokesman Phillip J. Crowley offered few details about the case other than to say that the man, 18-year-old Gulet Mohamed from Virigina, was receiving U.S. consular assistance. Crowley denied that Mohamed was arrested by Kuwaiti authorities on behalf of the U.S.

"I’m not at liberty to say a great deal," he told reporters Friday. "We are aware of his detention, we have provided him consular services ... he was not detained at the behest of the United States government."

According to a report, Mohamed -- who said he was studying Arabic in Kuwait -- was taken into custody around Dec. 20 when he went to the airport there to have his Kuwaiti visa renewed. Mohamed had done the procedure every three months since he arrived in Kuwait in fall 2009, but this time he didn't get his visa stamped. Instead, he said he was hauled into a room and interrogated for hours by unknown officials before being blindfolded, handcuffed and driven to another location.

He has been held in detainment ever since and his name placed on a no-fly list, meaning he cannot return to the U.S.

Babylon & Beyond was unable to reach any Kuwaiti officials for comment.

In a published interview from his Kuwaiti detention cell a couple of days ago, Mohamed claimed he was beaten with sticks and threatened with electrical shocks if he didn't tell his interrogators what he was doing in Al Qaeda strongholds of Yemen and Somalia during his travels there in 2009.

He said he had traveled to Yemen to study Arabic and Islam and that he spent five months in Somalia living with his aunt and uncle before moving to Kuwait in August 2009 to live with family friends and study more Arabic.

But his interrogators were apparently not convinced that Mohamed was being truthful. They began grilling him about his family's clan in Somalia and whether he had been in contact with American Yemeni cleric and terror suspect Anwar Al-Awlaki while in the Yemeni capital, Sanaa, Mohamed said.

Mohamed also claimed that American Embassy officials and FBI agents who visited him in the Kuwaiti detention facility asked him whether he knew Al-Awlaki and why he had gone to Yemen and Somalia.

The American teenager denied meeting with or having ties to suspected terrorists.

"I am a good Muslim, I despise terrorism,” he was quoted as saying.

His lawyer, Gadeir Abbas of the Council on American-Islamic Relations, has written to the U.S. Justice Department demanding an investigation into his client's detention in Kuwait.

-- Alexandra Sandels in Beirut

Photo: The 18-year-old American citizen Gulet Mohamed is being held in detention in Kuwait, according to U.S. officials. Credit: via Salon.com

Consumer Electronics Show: Moving your DVD collection to the cloud?

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UV logoThe ability to rip CDs helped transform music consumption (and, some would argue, hasten the demise of CD sales) by making songs more portable and accessible. That revolution hasn't come to DVDs -- it takes more technical savvy to convert a movie disc into an easily playable file, and it's illegal in the U.S. to make software or devices to help people do that. Every year at the Consumer Electronics Show, at least one device maker demonstrates a new way to get around that hurdle (this year's entry: Moovida), but stiff opposition from the studios (and their lawyers) has stopped most of those products from reaching the masses.

At this year's show, though, studio executives opened the door to retailers converting their customers' DVD collections into movie files stored online. Such conversion services are a likely part of Ultraviolet, the online video distribution initiative by a consortium of studios, tech companies, retailers and service providers. The first UV products and services are expected to hit the market later this year.

The catch is that the files stored online would be confined to Ultraviolet's walled garden, playable only on devices compatible with UV's standards. So it's not clear at this point what compatibility problems might emerge. But with companies expected to develop UV-compliant applications and players for a wide variety of computers, mobile devices and set-top boxes, the disc-to-cloud conversion is likely to appeal to at least some movie collectors.

It's those consumers -- the ones willing to spend the extra dollars to buy a movie instead of just renting it -- who are critical to the success of UV. The consortium's platform is designed to promote movie sales by eliminating many of the off-putting restrictions that the studios impose on downloadable movies without abandoning the limits on copying and sharing that Hollywood demands.

UV-certified downloads can be shared between UV-certified devices and streamed to Internet-connected PCs, TVs and mobile devices running software that meets UV's specifications. And UV-branded Blu-ray discs and DVDs will come with "a copy in the cloud" that can be streamed, downloaded or burned to a disc, said Thomas Gewecke, president of digital distribution for Warner Bros.

But what about all the discs people already own? Several UV backers said they expected to see retailers offer consumer the chance to convert existing discs into UV files stored online. But "we don't know what form yet that's going to take," said John D. Calkins, executive vice president of global digital and commercial innovation for Sony Pictures Home Entertainment. "Nobody's figured out ... how you go at that opportunity."

Among the unknowns are what price, if any, consumers might be willing to pay for such a service and what compensation, if any, the studios would demand for the right to make a copy in the cloud. Nor is it clear how hard it would be to verify that the DVDs being converted were ones that had been bought. Ultimately, the lower the bar that studios and retailers set for converting DVDs, the more likely they'll be to draw movie collectors into the UV fold.

The prospect of converting DVDs opens up all sorts of new opportunities for retailers -- for example, the ability to sell UV-compliant digital storage units pre-loaded with the customer's entire movie collection. So retailers can be expected to push to make DVD conversion a reality. Whether consumers respond to the offer remains to be seen.

Related:

Ultraviolet here, BitTorrent there

Ultraviolet digital movie downloads to launch in mid-2011

DECE turns Ultraviolet

-- Jon Healey

Healey writes editorials for the Los Angeles Times' Opinion Manufacturing Division.

 

 


ALGERIA: 2 dead, hundreds injured in riots over food prices

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Algeria-riots

At least two people were reportedly killed and 420 injured in several days of rioting across Algeria sparked by dramatic hikes in food prices as well as persistent unemployment.

One was a young man who was shot dead when "he tried to intrude into a police station" in the town of Ain Lahdjel, 150 miles south of the capital of Algiers, and another died in a hospital in the city of Bousmaïl; "the conditions of his death remain unclear," Interior Minister Daho Ould Kabila told the official Algerian Press Service on Saturday.

The minister, speaking to state radio, said 320 of those injured were among the security forces and fewer than a hundred were protesters.

On Friday, prayer leaders at mosques around the country called for calm. Another report by the official news agency painted a bizarrely serene picture of a capital in a country that has been riven by violence over spiking food prices:

Return to calm was noticed in Algiers district Saturday morning after violence levels declined. Under a radiant sun ... Algiers inhabitants came out on the second day of the weekend in Algeria. Shops and markets are open and people going about their business as usual. People flocked to bakeries and grocery stores. ... The cafes also are open and receive a regular crowd. Clearly, the discussions revolve around what happened in the capital in recent days, lamenting the passage of the acts of vandalism and destruction that affected several public institutions, including schools, health centers and shops."

Reuters reports that the Algerian government is set to hold a special meeting Saturday to consider cutting food prices to help stem the riots.

-- Los Angeles Times 

Photo: Youths near a barricade in Constantine in eastern Algeria on Saturday. Credit: Associated Press

EGYPT: Some Copts and Muslims come together during Orthodox Christmas

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Christian Orthodox Christmas has long been a nettlesome holiday for Egypt's Muslims: Some have taken to extending kind wishes to their Coptic neighbors while others have gone as far as forbidding any celebration of the birth of Christ.

This year's Christmas was a different story, however. The church bombing that left 25 dead and at least 80 injured in the Mediterranean city of Alexandria on New Year's Eve seems to have finally made millions of Muslims aware of the nation's Islamic extremism and dangerous sectarian divide.

In a sign of goodwill, thousands of Muslims attended Christmas masses on Thursday and Friday alongside Christians. "I'm here to tell all my Coptic brothers that Muslims and Christians are an inseparable pillar of Egypt's texture," Mohab Zayed, a Muslim attendee at a Mass in a church in the Heliopolis district of Cairo, told The Times. "Copts have to know that we will share any pains or threats they go through."

A large number of prominent Muslim intellectuals, actors and clergymen also joined Copts in their masses. Adel Imam, the Arab world's most famous actor, and Amr Khaled, a popular islamic preacher, attended Christmas liturgies.

Also on Thursday, hundreds of Muslims organized a candlelight vigil to show solidarity with Copts in downtown Cairo's Tahrir Square. Copts had to celebrate Christmas amid both mourning and great security worries as the Ministry of Interior deployed thousands of armored vehicles, no less than 70,000 police officers, metal detectors and bomb-sniffing dogs around churches across the country.

A campaign initiated by Muslim cultural tycoon Mohamed El Sawy called on Muslims to act as protecting shields outside churches Thursday and Friday. Leaflets were handed out by Muslim volunteers reading "we either live together or die together," referring to Copts and Muslims.

Coptic student Nader Rizkallah was happy to see Muslims get involved in efforts to get closer to Copts. Nonetheless, he wondered if such solidarity will last.

"I'm really glad with the spirit some Muslims have shown this Christmas, but did we have to wait for something disastrous like the Alexandria bombing to get closer? Will we stay this close next Christmas even if no deadly attacks occur before it?" Rizkallah told The Times.

Last week, Coptic Pope Senouda III appealed to the Egyptian government to start tackling the grass-roots of the sectarian problem in Egypt as a first step toward avoiding further attacks and stemming hatred of Copts in Egypt.

Egypt's Copts, who have long complained of inequality and been marginalization by the Muslim majority, amount to 10% of the country's population.

--Amro Hassan in Cairo

Photo: Protesters carry Korans alongside Bibles and crosses in a solidarity demonstration in Cairo. Credit: Associated Press

Netflix CEO deflects criticism with humor (and Albanian army dog tags)

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Huffington Post Editor in Chief Arianna Huffington gave Netflix Chief Executive Reed Hastings a tongue-in-cheek opportunity to respond to some of the barbed comments leveled in recent weeks at the fast-growing subscription service by the head of media giant Time Warner.

As Hastings took the stage for a keynote conversation that was the highlight of the Consumer Electronics Show's Leaders in Technology dinner Friday in Las Vegas, Huffington described the former Peace Corps volunteer as "Jeff Bewkes' BFF" -- a tart reference to the Time Warner chief's caustic remarks about Netflix in the New York Times and CNBC. 

Bewkes, when asked about the competitive threat posed by the DVD and Internet subscription service, alternatively likened Netflix to the Albanian army and "a 200-pound chimp -- it's not an 800-pound gorilla."

"So which are you?" Huffington asked, eliciting laughter from the room.

Hastings described Bewkes as "one of the smartest people in the media industry," who built HBO into an entertainment leader whose programming had racked up "more Emmys than anyone."

"He's a very thoughtful guy," Hastings deadpanned, as he reached into his shirt to pull out a pair of dog tags. "When he says we're in the Albanian army, I guess he's right."

Huffington coaxed Hastings to talk about leadership -- and one early experience that informed his leadership style.

Hastings recalled how, as a 25-year-old software programmer, he would stay up all night, propelled by coffee. He'd leave an array of mugs on his desk. Once a week, he would discover the cups cleaned. One day, he arrived at work at 4 a.m. and walked into the bathroom to discover the company's CEO, sleeves rolled up, washing the collection of nasty cups.

"That whole time, I thought it was the janitor," said Hastings, who said this had been occurring for a year. He asked his boss why. "He said, 'You do so much for this company, this is the only thing I can do for you.' "

Hastings -- who told the audience he wanted to continue building Netflix into a thriving business so he would have more money to give to charities -- returned to the theme of humility when asked by Huffington what kept him up at night.

"Staying grounded," Hastings said, noting the heady experiences of landing on the cover of Fortune magazine as its businessperson of the year and the company's stock topping $200 a share. "People who go through that get consumed by it."

Hastings said he had a ritual that he performed while standing in front of the mirror, shaving.

"I turn on the faucet and feel the water, and I try to remember that this is a miracle that I can turn a ring and feel the hot, clean water."

-- Dawn C. Chmielewski

Rene Pape: Rock star?

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Well, sort of. A profile in the Sunday Arts & Books section of bass-of-the-moment René Pape mentions his recording of an orchestral song cycle based on the songs of German industrial metal band Rammstein.

" 'Mein Herz brennt' was a completely new contemporary song cycle for 100 orchestral musicians by a composer friend of mine Torsten Rasch," Pape said. "It wasn't crossover or anything. It was a totally new piece."

Rasch took the melodies and words from Rammstein’s original songs and reimagined them as a modern-day “Das Lied von der Erde (The Song of the Earth).” The pounding guitars and scream-singing in the original are swapped out for an unbelievably gorgeous Mahlerian orchestra.

Compare the original song performed live by Rammstein on the left with Rasch's version sung by Pape on the right.

“When I was younger I didn't care so much about the band, but when this project came on the table I started to be interested in how they make music and their lyrics," Pape said.

Their lyrics, most often in German, contain a lot of wordplay and irony, which easily gets lost in Google Translation. This has resulted in the band being heavily criticized, in the same way Marilyn Manson and other shock rockers are, for inciting listeners to violence.

In response to this, Pape said, "Of course many people push them into a right-wing corner, but they are anything but that. They are really cool guys.”

For more medium versus message fun times, check out Rammstein's setting of the Goethe poem "Der Erlkönig", the same text Schubert used in his famous song of the same name.

-- Marcia Adair

Twitter.com/missmussel


Consumer Electronics Show: Housebroken wind turbines from Urban Green Energy

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UrbangreenenergyAfter rooms and rooms of gadgets and gizmos, seeing a wind turbine in the middle of the Consumer Electronics Show floor in Las Vegas was like a breath of fresh air.

Initially, though, the Eddy from Urban Green Energy looks more like an abstract sculpture. Or maybe something out of a sci-fi movie.

Such machines, known as vertical wind turbines, have traditionally been confined to remote farmland and hills because of their towering size.  But at just under 9 feet tall, the Eddy could provide clean electricity from a pole in a yard or on the roof at a home, office or other urban building.

Buyers would have to fork over $4,000 -- at least -- but the turbine can withstand blasts of wind up to 120 miles per hour and lasts for 20 years, its maker claims. And installation takes less than an hour and government rebates are available for at least 30% of the cost.

The New York-based company also makes other turbines ranging from 6 feet tall to 43 feet. The machines could offer city and suburban consumers a renewable energy alternative to solar panels. After all, there seems to be a surge lately in portable or small-scale clean-tech innovations.

But wait -– Urban Green Energy already thought of that. The turbines can apparently be joined up to existing solar power infrastructure. And another product form the company –- the Sanya -– is a hybrid wind- and solar-powered LED street lamp that was recently installed outside the San Francisco Civic Center.

RELATED:

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Wind farm 'mega-project' underway in Mojave Desert

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-- Tiffany Hsu

Photo: Urban Green Energy


Consumer Electronics Show: Is 3-D hot or not? [Updated]

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CES-3D
The conventional wisdom going into the Consumer Electronics Show this week was that the major manufacturers were shifting their focus from 3-D TVs to Internet-connected sets, given that 3-D sales hadn't lived up to last year's suffocating hype. That notion turns out to be misleading; set makers seem to have no less enthusiasm for 3-D than they did before. There's just not as much hype.

Part of the reason is that connectivity is far ahead of 3-D as a phenomenon in consumer electronics. Samsung executives said that an estimated 2.5 million Internet-enabled TVs sold in the U.S. last year, with expected sales increasing to 9 million in 2011; the numbers for 3-D TVs in the U.S. are about 1 million in 2010, 6 million in 2011.

Seemingly every set maker is adding more connected models to their lineups than 3-D models, in part because the latter are frequently available only on larger screen sizes. And Internet-enabled TVs themselves represent just a fraction of the connected-TV market. Sony Corp. Chairman Howard Stringer said that more than 50 million TV screens in the U.S. alone will be Internet-enabled this year, either directly or through set-top boxes and game consoles.

The industry also got carried away with increasingly bullish projections for 3-D sales last year, with Samsung predicting up to 4 million in 3-D TV sales based on Amazon's initial sales. As it turned out, sales were roughly where the Consumer Electronics Assn. predicted they would be a year ago, said James Sanduski, senior vice president of home entertainment sales for Panasonic Consumer Electronics. And as low as those sales may seem in relation to the early buzz, they're still significantly higher than initial sales of HDTVs and Blu-ray players. One reason: The initial premium consumers must pay for 3-D in a set ($300 to $500, Sanduski said) is much smaller than it was for high definition ($1,000 to $1,500).

Still, some significant hurdles remain to mass adoption of 3-D in the home. The biggest of these may be the paucity of 3-D programming. A few new sources were announced this week, including a long-awaited 24-hour cable channel of 3-D nature programming by Sony, Discovery Channel and Imax; online 3-D video-on-demand from Vudu; a switch from part-time to full-time programming on ESPN's 3-D channel; and 3-D streaming by Verizon to Panasonic Blu-ray players for customers on its fiber-optic network. But the key breakthrough will come when 3-D reaches basic cable, said Eisuke Tsuyuzaki, Panasonic's chief technical officer.

He predicted a gradual migration of 3-D programming from pay-per-view tiers to premium cable channels and sports networks. A premium 3-D tier is "a model that makes sense" for pay-TV services, he said, adding that there could be enough programming this year to create a block of a dozen 3-D channels.

To attract the masses, though, "3-D must be on a regular, sustained basis," Tsuyuzaki said. And it will have to come from a cable network, he said, because the broadcast networks and local stations can't do 3-D over the air. They'd have to continue their 2-D broadcasts at the same time, and they don't have the airwaves needed to transmit both signals simultaneously.

Another issue, Sanduski said, is potential consumer confusion over 3-D glasses. Numerous CES booths featured glasses-free 3-D TV screens, typically as prototypes or proofs of concept. But executives from across the industry warned that the technology had a long way to go before it could be commercialized and built into the big screens consumers are demanding for their living rooms.

Updated, 4:35 p.m.: Toshiba disagrees -- strongly -- about the market readiness of glasses-free TV. It had fully functional prototypes on display of three glasses-free products that it expects to begin selling late this year on in early 2012: 65-inch and 56-inch LCD TVs and a laptop. All rely on screens that emit separate, angled beams of light to the left and right eyes to create the illusion of depth.

Carrie Cowan, product manager of Toshiba America's digital products division, acknowledged that the glasses-free "parallax" system doesn't produce images that pop off the screen the way rival technologies do. The system also doesn't offer a wide, uniform viewing angle; instead, the 3-D images are visible at certain spots in front of the screen. Viewers in other positions may see a 2-D image or a blurry one.

The point of the exercise is to create a 3-D option for consumers who simply don't like the idea of watching through glasses. The company also is developing ways to overcome some of the drawbacks of the parallax system -- for example, the laptop uses its built-in webcam to track the position of the viewer's eyes, shifting the display's 3-D sweet spot to match the viewer's movements.

Another potential complication for consumers is that set makers' united front over the type of glasses to use -- active shutter glasses -- started to crack, with at least one major manufacturer (LG) announcing sets that will use lighter, less expensive polarized lenses. Others, such as Panasonic and Samsung, remain devotees of the shutter glasses, despite the added expense.

[Updated, 5 p.m.: Toshiba also plans to offer 3-D TVs that use polarized lenses.]

Hyunsuk Kim, senior vice president of Samsung's visual display research-and-development team, laid out the most commonly cited shortcomings of the passive-lens system: It cuts the picture resolution in half (delivering a different set of 540 lines to each eye simultaneously, rather than alternating between 1,080 lines for the right eye and left eye); adding polarization to the glass on the TV screen increases the cost of the set; and the polarized glass darkens the picture.

"Without resolving those problems, Samsung will never adopt" the passive-lens approach, Kim said.

3-D TVs are playing catchup to their smart brethren, but Panasonic President Shiro Kitajima predicted that the gap will narrow steadily in the coming years. By 2014, Kitajima said, connected TVs are expected to comprise up 42% of sales, while 3-D will make up almost a third.

-- Jon Healey

Healey writes editorials for The Times' Opinion Manufacturing Division.

Photo: An attendee wears Intel Corp. InTru3D glasses at the Consumer Electronics Show in Las Vegas on Jan. 7, 2011. Credit: Andrew Harrer / Bloomberg


Elsa Longhauser's 10 years at the helm of SMMOA

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ElsaThis Sunday, Jan. 9, the Santa Monica Museum of Art officially celebrates the 10th anniversary of its director, Elsa Longhauser, at the helm. It may seem a long time for the art world, but she was at her last job as director of the Galleries at the Moore College of Art and Design in Philadelphia for 17 years. 

Arriving here has proved "revelatory."  She has been struck by "the richness of the art history in Los Angeles and the region, the complexities and the layers,” she says.  “We’ve tried to uncover the important artists who have made a contribution to the history of art who work here, who live here, who teach here."  That's included artists such as Michael Asher, Wallace Berman, George Herms, Mary Kelly and Allen Ruppersberg.  The Herms show had a special poignancy since it was curated by Walter Hopps, one of the founders of the seminal Ferus Gallery, shortly before he passed away in 2005.

Longhauser has also been keen to bring in exhibitions from outside the region, and some have been international in scope.  In that effort she has frequently invited guests curators.  In 2001 Thelma Golden brought a group show of emerging African American artists, “Freestyle,” from the Studio Museum in Harlem, and in 2003 Lynne Cooke curated a show on the diagrammatic paintings of  Alfred Jensen.  In 2009 impresario Peter Sellars and curator Meskerem Assegued brought the work of  Ethiopian artist Elias Sime, his first survey show in the U. S.  (It dovetailed nicely with the production of Stravinsky’s “Oedipus Rex” and “Symphony of Psalms” that Sellars staged for the L.A. Philharmonic –- conductor Esa-Pekka Salonen’s farewell program.  Sime's custom-built thrones served as part of the set.)  And this winter they featured the work of Italian abstract painter Alberto Burri.

The subject of an upcoming exhibition, “Al Taylor: Wire Instruments and Pet Stains” (Jan. 21-April 16), was discovered by Longhauser herself at a Chicago art fair.

“Ten years is not a long time when you are fulfilling an artistic vision,” she says.  Her job, she feels, “is always changing, always evolving.”

Sunday’s event,  “The Power of Ten: Take a Chance on Art” (from 4 to 7 p.m.) is a fundraiser in which works have been donated by 25 artists including John Baldessari, Barbara Kruger, Kim McCarty and Betye Saar.  Admission is $300 for two persons, which includes one chance ticket; admission tickets and additional chance tickets are available online and at the museum.  For more information go to http://smmoa.org/index.php/programs/group/2

Read more on the Arts & Books section profile of Elsa Longhauser here.

-- Scarlet Cheng

Photo Credit: Robert Gauthier/Los Angeles Times

 

 

 

Devin Ebanks recalled as Matt Barnes awaits results of MRI exam

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The Lakers recalled rookie Devin Ebanks from the NBA Development League, a direct result of losing Matt Barnes to a right-knee injury Friday against New Orleans.

Barnes was injured when he landed off-balance while pursuing a rebound in the second quarter. Results of an MRI exam will not be known until later Saturday, but Barnes was limping notably after the game and said he might have sustained cartilage damage or a bone bruise.

Ebanks averaged 14.6 points and 7.6 rebounds in five games with the Bakersfield Jam.

Reserve Lakers guard Steve Blake was in a practice uniform Saturday morning and did not appear to have any lingering issues with a sprained left ankle he sustained Friday after missing a layup in the third quarter. 

-- Mike Bresnahan

Midseason TV Preview: Where we left off and what's new

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Holt
A slew of new shows kick off this winter, and a bunch of series pick up where they left off.

In our Midseason TV Preview, we have a gallery to help you catch you up on forgotten plotlines for returning shows like "Big Love" and "Parks and Recreation," and photos from the set of FX's "Justified." There's also a guide to what to watch from critic Robert Lloyd.

Idol One show returning to the air this month with question marks hanging over it is "American Idol." Scott Collins mulls the high stakes and prospects for "American Idol" after Simon Cowell. There's also a guide to new reality series, with a few familiar faces (think Kardashians).

"Hot in Cleveland," the comedy starring Betty White and fellow sitcom vets Valerie Bertinelli, Jane Leeves and Wendie Malick, was a surprise hit for TV Land, becoming the top-rated cable sitcom of the year. (Just for reference, its June premiere pulled in roughly double the audience of the "Mad Men"  season opener last year.) T.L. Stanley looks at TV Land's strategy of catering to an under-served older demographic with a slate of upcoming scripted series. Along with it, there's a gallery that goes behind the scenes with Betty White and crew on "Hot in Cleveland."

Much of the preview section in this Sunday's paper is dedicated to new shows. Joe Flint profiles Holt McCallany, who stars as a washed-up boxer stuck between two New Jersey worlds -- the gritty Bayonne neighborhood of his youth and professional life and the cushy Far Hills mansion he lives in with his wife and three daughters -- in FX's new drama "Lights Out."

Several new shows come with familiar faces attached. Greg Braxton profiles Matt LeBlanc, who stars as himself (kind of?) in the new Hollywood-skewering Showtime comedy "Episodes."(Among the differences between the show's "Matt LeBlanc" and the real one: The fictional Matt brags about his gargantuan male member, whereas the real actor claims, "My anatomy is very proportional.") And Queen Latifah talks about her producing role in the new series "Let's Stay Together," part of a block of all-black comedy premiering on BET.

Kathy Bates discusses her role on the new David E. Kelley legal drama "Harry's Law" on NBC, playing Harry (short for Harriet). Bates describes her character as "a bit of a curmudgeon like me ... . She carries a .44 in her purse, and if things aren't to her liking she's quick to pull it out and rectify the situation."

Another award-winning movie actor popping up on the small screen this season is Tommy Lee Jones, who stars with Samuel L. Jackson in an HBO production of Cormac McCarthy's 2006 play "The Sunset Limited." Jones also directed this one-off drama, which is essentially a very intense dialogue that takes place on a train. "One guy says, 'What is the right thing to do?' And the other says, 'Take action? There's only one action that would have any meaning, and that's to jump in front of a train.' "

Where We Left Off gallery

Hollywood Backlot: "Justified"

"American Idol" at the crossroads

Midseason reality TV guide

TV Land courts stars of a certain age

Hot in Cleveland photo gallery

Midseason TV Preview: "Lights Out"

Midseason TV Preview: Matt LeBlanc in "Episodes"

Midseason TV Preview: "Let's Stay Together"

Midseason TV Preview: Kathy Bates in "Harry's Law"

Midseason TV Preview: Tommy Lee Jones in "Sunset Limited"

-- Joy Press

Photos: Top: Holt McCallany in "Lights Out." Credit: Eric Leibowitz / FX. Bottom: "American Idol" judges Randy Jackson, left, Jennifer Lopez and Steven Tyler, host Ryan Seacrest and mentor Jimmy Iovine. Credit: Mark Davis / Fox.

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